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Hello and welcome to the Filmmaking Podcast.
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In this week's episode, Claire Lamar talks to us about how to
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become a make-up artist.
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Claire has been working as a make-up artist in the film
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industry for over 20 years and has lots of useful advice about
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Well, before you can become a make-up artist on films, you
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have to spend about two years working as a make-up trainee.
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A good place to get your first job would be on a
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low budget short film.
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Of course, this means that you'll be working for free, but it's
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often worth it for the experience.
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Make sure your transport costs are covered and remember, there's very unlikely
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to be any catering provided, so bring plenty of food.
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If you're lucky, you might start out on a big budget film
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where you'll get the most useful experience.
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On productions like this, make-up and hairstyling are separate departments, so
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you won't need to bring your curling tongs, but you're likely to
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get the opportunity to work with a range of age groups as
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well as different ethnicities.
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Doing make-up for special effects is highly specialized, so don't expect
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to be offered any practical experience in that.
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One problem with working in the make-up department is that it's
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a high-pressure environment.
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There are very few times when you'll be bored or have nothing
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It can be stressful, but you'll see that the top make-up
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artists are very professional, even when they're having to work with directors
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who are impatient or unhappy with the make-up artists' work.
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Follow your supervisor's lead and try to remain calm at all times.
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I've worked with many very famous actors over the years.
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At first, I found it overwhelming and could hardly speak.
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That's preferable, by the way, to becoming too excited and asking for
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Now, meeting the talent is just a normal part of the job,
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and to be honest, most actors don't look that special without all
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Every make-up trainee will need a make-up kit, which they'll
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be expected to have with them at all times.
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Just the essentials will do for the kinds of tasks you'll be
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It won't be anything complicated.
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It's worth looking at what the other make-up artists have in
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their kits, but whatever you do, don't borrow anything without asking first.
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It's very important to build your portfolio.
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You should take photos of all the work you do and, ideally,
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show the different stages of make-up application if you can.
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But remember, you'll need to get approval from the make-up designer
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in charge of the department.
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As you'll be sending your portfolio digitally, you won't need to get
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Before you hear the rest of the podcast, you have some time
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to look at questions 17 to 20.
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Now listen and answer questions 17 to 20.
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So what does a make-up trainee actually do?
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You need to think about whether you're the right kind of person
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to do the job and whether you'd enjoy it.
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So, to give you some idea, here are some of the things
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you might be required to do.
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You may be asked to help prep an actor ready for make
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Some actors will arrive having already cleansed and moisturized their skin.
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But sometimes you'll need to step in and get this done without
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Otherwise, the make-up artist will get behind schedule.
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Trainees play a useful role in continuity.
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It will be your responsibility to take photos, log them digitally, and
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print out a hard copy to put in each actor's file.
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This information needs to be kept in good order as a reshoot
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can mean replicating make-up months later.
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General duties mean doing anything from getting the teas and coffees to
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Having a positive attitude and being willing to do whatever is asked
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of you will help you get your next film job.
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You won't be asked to apply make-up to any of the
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principal cast, only the extras.
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If there are dozens of extras involved, you'll need to keep up
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a swift pace and not spend too long on each person.
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It takes quite a lot of confidence to be able to do
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Okay, now about terms and conditions...
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That is the end of part two.
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You now have 30 seconds to check your answers to part two.