Do the following statements agree with the information given in the Reading Passage?
TRUE if the statement agrees with the information
FALSE if the statement contradicts the information
NOT GIVEN if it is impossible to say what the writer thinks about this
1
It is uncertain when the Voynich manuscript was written.
2
Wilfrid Voynich donated the manuscript to the Beinecke Library.
3
Interest in the Voynich manuscript extends beyond that of academics and professional codebreakers.
4
The text of the Voynich manuscript contains just under 70 symbols.
Question 5 - 8
Look at the following statements and the list of people below.
Match each statement with the correct person, A-H.
Write the correct letter, A-H.
List of Findings
A
Gordon Rugg
B
Roger Bacon
C
William Newbold
D
William Friedman
E
Rob Churchill
F
Gabriel Landini
G
Ren Zandbergen
H
Girolamo Cardano
5
The number of times that some words occur make it unlikely that the manuscript is based on an authentic language.
6
Unlike some other similar objects of fascination, people can gain direct access to the Voynich manuscript.
7
The person who wrote the manuscript may not have been entirely sane.
8
It is likely that the author of the manuscript is the same person as suggested by Wilfrid Voynich.
Question 9 - 13
Choose NO MORE THAN TWO WORDS from the passage for each answer.
VOYNICH RESEARCHERS
William Newbold believed that the author of the Voynich manuscript had been able to look at cells through a . Other researchers later demonstrated that there were flaws in his argument. William Friedman concluded that the manuscript was written in an artificial language that was based on . He couldn’t find out the meaning of this language but he believed that the would continue to bring advances in codebreaking.
Dr Gabriel Landini used a system known as in his research, and claims to have demonstrated the presence of genuine words.
Dr Gordon Rugg’s system involved a grille, that made it possible to quickly select symbols that appeared in a . Rugg’s conclusion was that the manuscript lacked genuine meaning.
Question 14
Choose the correct letter, A, B, C or D.
Write the correct letter in boxes on your answer sheet.
14
The writer’s main aim in this passage is to
A
explain the meaning of the manuscript.
B
determine the true identity of the manuscript's author.
C
describe the numerous attempts to decode the manuscript.
D
identify which research into the manuscript has had the most media coverage.
DOL IELTS Đình Lực
📖 Bài đọc (reading passage)
The Voynich Manuscript
The starkly modern Beinecke Library at Yale University is home to some of the most valuable books in the world: first folios of Shakespeare, Gutenberg Bibles and manuscripts from the early Middle Ages. Yet the library’s most controversial possession is an unprepossessing vellum manuscript about the size of a hardback book, containing 240-odd pages of drawings and text of unknown age and authorship. Catalogued as MS408, the manuscript would attract little attention were it not for the fact that the drawings hint at esoteric knowledge, while the text seems to be some sort of code - one that no-one has been able to break. It’s known to scholars as the Voynich manuscript, after the American book dealer Wilfrid Voynich, who bought the manuscript from a Jesuit college in Italy in 1912.
Over the years, the manuscript has attracted the attention of everyone from amateur dabblers to top codebreakers, all determined to succeed where countless others have failed. Academic research papers, books and websites are devoted to making sense of the contents of the manuscript, which are freely available to all. Most other mysteries involve secondhand reports,’ says Dr Gordon Rugg of Keele University, a leading Voynich expert. But this is one that you can see for yourself.
It is certainly strange: page after page of drawings of weird plants, astrological symbolism and human figures, accompanied by a script that looks likesome form of shorthand. What does it say and what are the drawings about? Voynich himself believed that the manuscript was the work of 13th century English monk Roger Bacon, famed for his knowledge of alchemy, philosophy and science. In 1921 Voynich’s view that Bacon was the writer appeared to win support from the work of William Newbold, Professor of Philosophy at the University of Pennsylvania, who claimed to have found the key to the cipher system used by Bacon. According to Newbold, the manuscript proved that Bacon had access to a microscope centuries before they were supposedly first invented. The claim that this medieval monk had observed living cells created a sensation. It soon became clear, however, that Newbold had fallen victim to wishful thinking. Other scholars showed that his ‘decoding’ methods produced a host of possible interpretations. The Voynich manuscript has continued to defy the efforts of world-class experts. In 1944, a team was assembled to tackle the mystery, led by William Friedman, the renowned American codebreaker. They began with the most basic codebreaking task: analysing the relative frequencies of the characters making up the text, looking for signs of an underlying structure. Yet Friedman’s team soon found themselves in deep water. The precise size of the ‘alphabet’ of the Voynich manuscript was unclear: it’s possible to make out more than 70 distinct symbols among the 170,000-character text. Furthermore, Friedman discovered that some words and phrases appeared more often than expected in a standard language, casting doubt on claims that the manuscript concealed a real language, as encryption typically reduces word frequencies.
Friedman concluded that the most plausible resolution of this paradox was that ‘Voynichese’ is some sort of specially created artificial language, whose words are devised from concepts, rather than linguistics. So, could the Voynich manuscript be the earliest known example of an artificial language? Friedman’s hypothesis commands respect because of the lifetime of cryptanalytical expertise he brought to bear,’ says Rob Churchill, coauthor of the Voynich Manuscript, that still leaves a host of questions unanswered, however, such as the identity of the author and the meaning of the bizarre drawings. ‘It does little to advance our understanding of the manuscript as a whole,’ says Churchill. Even though Friedman was working more than 60 years ago, he suspected that major insights would come from using the device that had already transformed codebreaking: the computer. In this he was right - it is now the key tool for uncovering clues about the manuscript’s language.
The insights so far have been perplexing. For example, in 2001 another leading Voynich scholar, Dr Gabriel Landin of Birmingham University in the UK, published the results of his study of the manuscript using a pattern-detecting method called spectral analysis. This revealed evidence that the manuscript contains genuine words, rather than random nonsense, consistent with the existence of some underlying natural language. Yet the following year, Voynich expert Ren Zandbergen of the European Space Agency in Darmstadt, Germany showed that the entropy of the text (a measure of the rate of transfer of information) was consistent with Friedman’s suspicions that an artificial language had been used.
Many are convinced that the Voynich manuscript isn’t a hoax. For how could a medieval hoaxer create so many telltale signs of a message from random nonsense? Yet even this has been challenged in new research by Rugg. Using a system, first published by the Italian mathematician Girolamo Cardano in 1550 in which a specially constructed grille issued to pick out symbols from a table, Rugg found he could rapidly generate text with many of the basic traits of the Voynich manuscript. Publishing his results in 2004 Rugg stresses that he hadn’t set out to prove the manuscript a hoax. ‘I simply demonstrated that it’s feasible to hoax something this complex in a few months.’ he says. Inevitably, others beg to differ. Some scholars, such as Zandbergen, still suspect the text has genuine meaning, though believe it may never be decipherable. Others, such as Churchill, have suggested that the sheer weirdness of the illustrations and text hint at an author who had lost touch with reality. What is clear is that the book-sized manuscript kept under lock and key at Yale University has lost none of its fascination. ‘Many derive great intellectual pleasure from solving puzzles,’ says Rugg. The Voynich manuscript is as challenging a puzzle as anyone could ask for.
🔥 Answer key (đáp án và giải thích)
1
True
Giải thích chi tiết
☺️ Ứng dụng Linearthinking để giải quyết dạng bài True / False / Not Given
Step 01: Read the question to understand (main idea + detail)
Simplified:
It is uncertainwhen the Voynich manuscript was written
-------
Step 02: Locate relevant information
🔍 Từ khoá: "uncertain", "when", "Voynich manuscript", "was written"
→ Dựa vào các từ khoá trên --> Ta tìm được trích dẫn ở đoạn 1
-------
Step 03: Read relevant information to understand (main + detail)
📌 Trích dẫn: "...containing 240-odd pages of drawings and text of unknown age and authorship." (Đoạn 1)
Simplified:
The manuscript contains 240-odd pages of drawings + text of unknown age and unknown authorship
-------
Step 04: Compare meaning with meaning
Trong bài đọc: Bản thảo gồm khoảng 240 trang tranh vẽ và văn bản, không rõ niên đại và tác giả.
Trong câu hỏi: Thời điểm bản thảo Voynich được viết là không chắc chắn.
⇒ ✅ Chọn: TRUE
-------
Lưu ý chung:
FALSE sai vì bài đọc KHÔNG đưa ra thời điểm cụ thể hay chắc chắn về thời gian viết bản thảo.
NOT GIVEN sai vì thông tin về việc “unknown age” được nêu trực tiếp trong bài.
The starkly modern Beinecke Library at Yale University is home to some of the most valuable books in the world: first folios of Shakespeare, Gutenberg Bibles and manuscripts from the early Middle Ages. Yet the library’s most controversial possession is an unprepossessing vellum manuscript about the size of a hardback book, containing 240-odd pages of drawings and text of unknown age and authorship. Catalogued as MS408, the manuscript would attract little attention were it not for the fact that the drawings hint at esoteric knowledge, while the text seems to be some sort of code - one that no-one has been able to break. It’s known to scholars as the Voynich manuscript, after the American book dealer Wilfrid Voynich, who bought the manuscript from a Jesuit college in Italy in 1912.
Over the years, the manuscript has attracted the attention of everyone from amateur dabblers to top codebreakers, all determined to succeed where countless others have failed. Academic research papers, books and websites are devoted to making sense of the contents of the manuscript, which are freely available to all. Most other mysteries involve secondhand reports,’ says Dr Gordon Rugg of Keele University, a leading Voynich expert. But this is one that you can see for yourself.
It is certainly strange: page after page of drawings of weird plants, astrological symbolism and human figures, accompanied by a script that looks likesome form of shorthand. What does it say and what are the drawings about? Voynich himself believed that the manuscript was the work of 13th century English monk Roger Bacon, famed for his knowledge of alchemy, philosophy and science. In 1921 Voynich’s view that Bacon was the writer appeared to win support from the work of William Newbold, Professor of Philosophy at the University of Pennsylvania, who claimed to have found the key to the cipher system used by Bacon. According to Newbold, the manuscript proved that Bacon had access to a microscope centuries before they were supposedly first invented. The claim that this medieval monk had observed living cells created a sensation. It soon became clear, however, that Newbold had fallen victim to wishful thinking. Other scholars showed that his ‘decoding’ methods produced a host of possible interpretations. The Voynich manuscript has continued to defy the efforts of world-class experts. In 1944, a team was assembled to tackle the mystery, led by William Friedman, the renowned American codebreaker. They began with the most basic codebreaking task: analysing the relative frequencies of the characters making up the text, looking for signs of an underlying structure. Yet Friedman’s team soon found themselves in deep water. The precise size of the ‘alphabet’ of the Voynich manuscript was unclear: it’s possible to make out more than 70 distinct symbols among the 170,000-character text. Furthermore, Friedman discovered that some words and phrases appeared more often than expected in a standard language, casting doubt on claims that the manuscript concealed a real language, as encryption typically reduces word frequencies.
Friedman concluded that the most plausible resolution of this paradox was that ‘Voynichese’ is some sort of specially created artificial language, whose words are devised from concepts, rather than linguistics. So, could the Voynich manuscript be the earliest known example of an artificial language? Friedman’s hypothesis commands respect because of the lifetime of cryptanalytical expertise he brought to bear,’ says Rob Churchill, coauthor of the Voynich Manuscript, that still leaves a host of questions unanswered, however, such as the identity of the author and the meaning of the bizarre drawings. ‘It does little to advance our understanding of the manuscript as a whole,’ says Churchill. Even though Friedman was working more than 60 years ago, he suspected that major insights would come from using the device that had already transformed codebreaking: the computer. In this he was right - it is now the key tool for uncovering clues about the manuscript’s language.
The insights so far have been perplexing. For example, in 2001 another leading Voynich scholar, Dr Gabriel Landin of Birmingham University in the UK, published the results of his study of the manuscript using a pattern-detecting method called spectral analysis. This revealed evidence that the manuscript contains genuine words, rather than random nonsense, consistent with the existence of some underlying natural language. Yet the following year, Voynich expert Ren Zandbergen of the European Space Agency in Darmstadt, Germany showed that the entropy of the text (a measure of the rate of transfer of information) was consistent with Friedman’s suspicions that an artificial language had been used.
Many are convinced that the Voynich manuscript isn’t a hoax. For how could a medieval hoaxer create so many telltale signs of a message from random nonsense? Yet even this has been challenged in new research by Rugg. Using a system, first published by the Italian mathematician Girolamo Cardano in 1550 in which a specially constructed grille issued to pick out symbols from a table, Rugg found he could rapidly generate text with many of the basic traits of the Voynich manuscript. Publishing his results in 2004 Rugg stresses that he hadn’t set out to prove the manuscript a hoax. ‘I simply demonstrated that it’s feasible to hoax something this complex in a few months.’ he says. Inevitably, others beg to differ. Some scholars, such as Zandbergen, still suspect the text has genuine meaning, though believe it may never be decipherable. Others, such as Churchill, have suggested that the sheer weirdness of the illustrations and text hint at an author who had lost touch with reality. What is clear is that the book-sized manuscript kept under lock and key at Yale University has lost none of its fascination. ‘Many derive great intellectual pleasure from solving puzzles,’ says Rugg. The Voynich manuscript is as challenging a puzzle as anyone could ask for.
TRUE
The starkly modern Beinecke Library at Yale University is home to some of the most valuable books in the world: first folios of Shakespeare, Gutenberg Bibles and manuscripts from the early Middle Ages. Yet the library’s most controversial possession is an unprepossessing vellum manuscript about the size of a hardback book, containing 240-odd pages of drawings and text of unknown age and authorship. Catalogued as MS408, the manuscript would attract little attention were it not for the fact that the drawings hint at esoteric knowledge, while the text seems to be some sort of code - one that no-one has been able to break. It’s known to scholars as the Voynich manuscript, after the American book dealer Wilfrid Voynich, who bought the manuscript from a Jesuit college in Italy in 1912.
Over the years, the manuscript has attracted the attention of everyone from amateur dabblers to top codebreakers, all determined to succeed where countless others have failed. Academic research papers, books and websites are devoted to making sense of the contents of the manuscript, which are freely available to all. Most other mysteries involve secondhand reports,’ says Dr Gordon Rugg of Keele University, a leading Voynich expert. But this is one that you can see for yourself.
It is certainly strange: page after page of drawings of weird plants, astrological symbolism and human figures, accompanied by a script that looks likesome form of shorthand. What does it say and what are the drawings about? Voynich himself believed that the manuscript was the work of 13th century English monk Roger Bacon, famed for his knowledge of alchemy, philosophy and science. In 1921 Voynich’s view that Bacon was the writer appeared to win support from the work of William Newbold, Professor of Philosophy at the University of Pennsylvania, who claimed to have found the key to the cipher system used by Bacon. According to Newbold, the manuscript proved that Bacon had access to a microscope centuries before they were supposedly first invented. The claim that this medieval monk had observed living cells created a sensation. It soon became clear, however, that Newbold had fallen victim to wishful thinking. Other scholars showed that his ‘decoding’ methods produced a host of possible interpretations. The Voynich manuscript has continued to defy the efforts of world-class experts. In 1944, a team was assembled to tackle the mystery, led by William Friedman, the renowned American codebreaker. They began with the most basic codebreaking task: analysing the relative frequencies of the characters making up the text, looking for signs of an underlying structure. Yet Friedman’s team soon found themselves in deep water. The precise size of the ‘alphabet’ of the Voynich manuscript was unclear: it’s possible to make out more than 70 distinct symbols among the 170,000-character text. Furthermore, Friedman discovered that some words and phrases appeared more often than expected in a standard language, casting doubt on claims that the manuscript concealed a real language, as encryption typically reduces word frequencies.
Friedman concluded that the most plausible resolution of this paradox was that ‘Voynichese’ is some sort of specially created artificial language, whose words are devised from concepts, rather than linguistics. So, could the Voynich manuscript be the earliest known example of an artificial language? Friedman’s hypothesis commands respect because of the lifetime of cryptanalytical expertise he brought to bear,’ says Rob Churchill, coauthor of the Voynich Manuscript, that still leaves a host of questions unanswered, however, such as the identity of the author and the meaning of the bizarre drawings. ‘It does little to advance our understanding of the manuscript as a whole,’ says Churchill. Even though Friedman was working more than 60 years ago, he suspected that major insights would come from using the device that had already transformed codebreaking: the computer. In this he was right - it is now the key tool for uncovering clues about the manuscript’s language.
The insights so far have been perplexing. For example, in 2001 another leading Voynich scholar, Dr Gabriel Landin of Birmingham University in the UK, published the results of his study of the manuscript using a pattern-detecting method called spectral analysis. This revealed evidence that the manuscript contains genuine words, rather than random nonsense, consistent with the existence of some underlying natural language. Yet the following year, Voynich expert Ren Zandbergen of the European Space Agency in Darmstadt, Germany showed that the entropy of the text (a measure of the rate of transfer of information) was consistent with Friedman’s suspicions that an artificial language had been used.
Many are convinced that the Voynich manuscript isn’t a hoax. For how could a medieval hoaxer create so many telltale signs of a message from random nonsense? Yet even this has been challenged in new research by Rugg. Using a system, first published by the Italian mathematician Girolamo Cardano in 1550 in which a specially constructed grille issued to pick out symbols from a table, Rugg found he could rapidly generate text with many of the basic traits of the Voynich manuscript. Publishing his results in 2004 Rugg stresses that he hadn’t set out to prove the manuscript a hoax. ‘I simply demonstrated that it’s feasible to hoax something this complex in a few months.’ he says. Inevitably, others beg to differ. Some scholars, such as Zandbergen, still suspect the text has genuine meaning, though believe it may never be decipherable. Others, such as Churchill, have suggested that the sheer weirdness of the illustrations and text hint at an author who had lost touch with reality. What is clear is that the book-sized manuscript kept under lock and key at Yale University has lost none of its fascination. ‘Many derive great intellectual pleasure from solving puzzles,’ says Rugg. The Voynich manuscript is as challenging a puzzle as anyone could ask for.
